Virtually Home

This New Year's Eve I attended the fifth annual Flaming Lips New Year's Eve Freakout in Oklahoma City. I've been wanting to attend since the first year, but have spent none of my last four New Year's Eves in Oklahoma. While southern California, Paris, Paris and Belize was a fantastic NYE run, I was kind of psyched about getting to participate. The venue was done up in true Flaming Lips fashion, and I admired the lights and balloons and enormous mirror ball as vast improvements to the vacuous, concrete space that is the Coca-Cola Events Center in Bricktown. The opener was Phantogram, a three-piece band with a drummer, a guitar and a synthesizer, whose dance music was so bass-y that my esophagus must have thought it was experiencing an extended earthquake. No one really danced, which might have been because it was early or because the music was so out of line with what we expected to see next. They seemed genuinely psyched to be there, and having come from New York Ci...

Tim Kasher is a genius. An often overshadowed genius, as Omaha-based frontmen go, but one who's been around for a long time, involved with such now-defunct Saddle Creek legends as Commander Venus and Slowdown Virgina, as well as still-rocking bands Cursive and The Good Life. When I heard Tim Kasher's solo tour was swinging through Oklahoma City, I bought a ticket in advance. Way in advance. I must have been the only one, because no one showed up early. The attendance was so sparse for the first few hours of the show that I was worried no one was coming. An small venue is a beautiful thing, an audience of ten kind of a sad state of affairs. A lot of people showed up late, after the two openers, which was good for the atmosphere and somewhat disappointing in terms of the pre-show ritual. After a pleasantly folksy opening set by a soon-to-be-married local duo called O Fidelis, my ears were made to ring for three consecutive days by a New York band called Aficionado, whose per...