Virtually Home

This is just a stub of a post to say: I went to see The Decemberists with a recently-opened venue in Saint Paul. Gaelynn Lea opened with her violin playing, loop pedal, and intriguing vocals. Chris Funk came out to play a song with her. I thought her set was captivating. The Decemberists continue to impress me with their technical precision on stage, even though they tend to play a predictable set and use the same gimmicks over and over. Their new whale featured in their Mariner's Revenge encore was beautiful, and I had a blast at the show. I have now seen them a bunch of times, in Texas, Washington, Maryland, Minnesota, and England. Even the tours supporting albums I'm not as crazy about have been really fun.

My dream of seeing Phoebe Bridgers headline with her full band finally came true. The "Farewell Tour", made a stop in Saint Paul and the little Turf Club sold out way faster than I anticipated. I tracked down a ticket anyway, showed up at doors opening in the freezing April. I thought I would be able to walk right in, but the doors weren't open yet and I regretted leaving my jacket in the car. I met some new friends in line, and we chatted while the room filled up. The album cover art was the backdrop they hung up behind the band. A prom-style silver curtain with its title was set up in the back for fans to take photos, with or without the band. The main microphone was strung with fairy lights. I was into the vibe. Lomelda opened, huddled in a heavy coat. Hailing from Texas, she couldn't believe the show. I sympathized. Her set was synthesizers and an electric guitar -- sad vocals, I recall, but not what she was saying. She had a charming stage presence. Phoebe ...

Phoebe and Harrison in Saint Paul I decided these shows can share one post: Conor Oberst and Phoebe Bridgers at the Palace Theatre, Saint Paul, 9-7-17 Phoebe and Harrison in Milwaukee Saint Paul was a no-brainer. The Palace only recently reopened after having been closed a few decades, and it was my first chance to see the venue. It's an old-fashioned theatre with a standing-room-only pit and a balcony with seating. The vibe is an interesting mix of ornate and run-down that appeals to me. It has a kind of annoying series of ramps and staircases to get to the stage, which the venue implemented so they can check tickets before people get to the pit, but is annoying when everyone is trying to exit at the same time through bottlenecked passageways. "Lua" trio Conor Oberst and Phoebe Bridgers at the Pabst Theatre, Milwaukee, 9-8-17 The Pabst was cool because I had never been to Milwaukee before, and it's the middle of downtown, with a "secret...

Everything Now A friend invited me last-minute to see the Arcade Fire on their stadium tour. I had caught them once at a festival and remembered it as a raucous celebration of a show -- in my memory, now, it's more of a bright roar than anything. I thought it sounded fun to revisit, even though I haven't really heard any of their last couple of albums. The gimmick of Everything Now  is that the band is sponsored by a bunch of fictional global corporations. The logos cover all the merchandise, the performers' clothing, and scrolled across the scoreboard and banners in the arena. I wasn't sure how I would like this. The pre-show was fascinating and also irritating, by design. Every few minutes a green-screened cowboy would take over the scoreboard and make an announcement in a patently fake accent. Win Butler's visit to our section Just as the band was entering, in a boxing-style procession to the center of the arena, I realized I had lost my wallet. I was...